Page Popup Time The Popup Time function lets you set the number of seconds a temporary message displays in the screen. The P has a number of messages which appear in the screen depending on which feature you access. By setting the Popup Time, you can determine how long the message stays in the screen. When controlling external devices such as a tone generator, Exclusive and Bulk should be set to On. When you record your P Performance to an external sequencer and play it back, Exclusive and Bulk should be set to Off.
When set to Off default , the P will not transmit the bank select number. In such a case, the P will play and repeat the one octave higher or lower range.
This also occurs if the Transpose setting causes the pitch bend to exceed the legal range. These give you wide and flexible control over how the strength of your playing affects the volume of the internal voices and external MIDI instruments.
Page Store When Auto Store is designated all parameter changes are stored automatically as you make them. Thus, you can jump back and forth between voices and Voice and Performance modes freely as you play, since all settings will remain as you set them. In this case, necessary storing is literally a matter of copying one Performance to a specific Performance bank and number.
This effectively stores the changes you have made in Edit mode except for changes made in the overall System settings in the System, MIDI Filter and PC Table functions, which are stored automatically in the current Performance location, and thus will be retained the next time you Page Appendix This gives you the luxury of being able to build a library of P- settings by storing them on floppy disks.
Page Initialize Initialize The Initialize feature lets you restore the initial factory default settings with a quick and simple operation. Before initializing the settings, make sure to first offload any data that you want to save using the Bulk Dump operation. Otherwise, the Voice and Performance data you have created will be lost permanently. For detailed information about other Page 63 MU80 A In this case, the sequencer is used to record the note, program change, controller, etc.
Below is a list with descriptions of each. See page 2. Page 66 Check that the program change receive or the equivalent parameter on the receiving MIDI sound, but do not change instrument has not been turned off. Yamaha Corp. Since specifications, equipment or options may not be the same in every locale, please check with you Yamaha dealer. Page 71 PERF.
A 06 PERF. Piano1 E. Piano1 Piano4 Bass E. Page 73 PERF. B 06 PERF. Page Channel Messages 3. A01 Perf. A02 Perf. B11 Perf. Page 79 When the device number is set to Off, bulk dump send and receive operations cannot be executed. When the device numbers of the P and the external device are not matched, the P cannot receive bulk dump messages. Page 80 6. Page 81 6. Page 82 7. A01 Voice Perf. A02 Voice Perf. Page 83 7. A12 Perf. B01 Perf. Page 84 7. Print page 1 Print document 87 pages. Rename the bookmark.
Delete bookmark? Cancel Delete. Delete from my manuals? Sign In OR. Don't have an account? Sign up! Restore password. Upload manual. Upload from disk. Upload from URL. Program Change PC Table Panel Switch PS Organ Combination Keyboard Sensitivity Internal Equalizer Bulk Dump Using MIDI Error Messages Factory Default Settings Blank Chart This jack on the front panel lets you connect a pair of stereo headphones to the P for private listening.
The internal speakers will automatically be disconnected when you plug in the headphones. These two built-in 13 cm speakers each provide an output of 20 watts.
This switch turns the power on and off. When the power is turned on, the mode and status designated when the power was previously turned off will still be active. This wheel can be used to bend the pitch of the notes that you play, up or down; the wheel automatically returns to the center position when you release it.
In Dual mode, both voices are affected; in Split mode, only the main voice is affected. You can assign the pitch bend range to any value within a one-octave range. This wheel can be used in various ways. Normally you will use it to apply a vibrato effect to the notes that you play, with increasing intensity as you roll it upwards; the wheel remains at the specific position that you set it when you let go of it. In Dual mode, both voices are modulated; in Split mode, only the main voice is modulated.
You can also assign it to control reverb depth or modulation speed. When MIDI transmission is enabled, you can use it to transmit modulation messages to other instruments. This slider adjusts the overall volume of sound output from the internal speakers or headphones, if connected as well as the sound output from the [OUTPUT] jacks on the rear panel. Moving the slider upward increases volume level, while moving the slider downward decreases volume level.
This is a multiple function slider. As a [CS] continuous slider , you can assign it to control a variety of functions. Moving the slider upward increases the specified value, while moving the slider downward decreases the specified value. This is a dual function button. This is a multiple function button. As a [SPLIT] button, you can use it to enter Split mode, whether in Voice Play or Performance Play mode, determine the split point and assign the keyboard area for the main and sub voices.
As a [ 1 ] cursor left button in Edit mode, you can use it to move the cursor to the left in the LCD screen in order to position it over a desired parameter. As a [ q ] cursor right button in Edit mode, you can use it to move the cursor to the right in the LCD screen in order to position it over a desired parameter.
You can also hold the [MIDI] button while pressing other buttons to access certain features. This dial lets you adjust the contrast of the LCD screen for optimum visibility. Rotating it to the left will decrease screen contrast, while rotating it to the right will increase screen contrast. This backlit character Liquid Crystal Display screen provides various information about the modes and operating status of the P This button lets you store changes that you make to a Performance, as well as copy the current Performance into any Performance memory.
The P can store 24 Performances. This button lets you enter Edit mode and access the various Edit functions. Pressing it again will return you to the previous Play mode. These buttons let you enter Performance Play mode and select any of the 24 Performances.
The [PERF. A] and [PERF. B] banks hold 12 Performances each, and a lit LED above one of the buttons indicates the currently active bank. These 12 buttons each have multiple functions, depending on the current mode. In Voice Play mode you can use them to select any of the 12 preset AWM instrument voices you want to play; the voice names are printed in red above the buttons. In Performance Play mode you can use them to select any of the 24 Performances 12 Performances per bank ; the Performance numbers are printed above the buttons.
In Edit mode, you can use them to select the Edit functions; the Edit function names are printed in green below the buttons. This button lets you select either a Room, Stage or Hall reverb effect, or no reverb effect, to apply to the currently selected voice. Each voice has a default reverb setting preprogrammed at the factory which you can change.
This button lets you select either a Chorus, Symphonic or Tremolo modulation effect, or no modulation effect, to apply to the currently selected voice.
Each voice has a default modulation setting preprogrammed at the factory which you can change. These sliders let you graphically adjust the level of the sound output of the P in three bands: High, Middle and Low. In Dual and Split modes, the changes you make will affect both voices.
These jacks output line-level signals which can be input directly to an external amplifier, mixer or other audio device. These jacks let you connect up to three foot pedals and use them as sustain, sostenuto and soft pedals. A single FC4 footswitch is included with your P This jack lets you connect a foot controller Yamaha FC7, available separately for use as an auxiliary controller.
The [FC] foot controller can be assigned to control a variety of functions, including reverb depth or modulation speed, which lets you change these parameters by foot as you play.
Within each mode are various Voice and Performance parameters, or settings that you can change, which make up the sound of the selected voice and the specific operating status of the P A group of overall System settings apply to both Voice Play and Performance Play modes, and Edit mode lets you access and edit a wide variety of System and other functions, as shown in the following illustration.
As the above illustration shows, the primary difference between Voice Play mode and Performance Play mode is:. The P can store up to 24 Performances for instant recall. When Non Auto Store is selected, the store operation is always required except when modifying System related parameters; see page 13 if you want to save the current settings. When Auto Store is selected, all changes you make will automatically be stored without the need to perform a specific storing procedure.
The default setting for a new or initialized P is Non Auto Store. For information about changing the Store Type, see page Therefore, the LCD illustrations herein may be slightly different than the screens on your P These include controller parameters such as pitch bend range and modulation wheel assignment, keyboard sensitivity parameters for internal or MIDI applications, and effect parameters such as reverb type and depth, modulation type and speed, and internal equalizer settings.
In Voice Play mode you can access a single set of Performance parameters and in Performance Play mode you can access 24 sets of Performance parameters. Although you can freely change the voices in Performance Play mode, only a single set of Voice parameters is available for each Performance. In Performance Play mode, the P has 24 sets of Performance parameters which let you configure settings for specific music situations i. This affords you the convenience of being able to recall those settings instantly at the press of a button when in Performance Play mode.
Performance parameters include the voice selection a set of voice parameters , keyboard Single, Dual or Split mode and settings, main and sub voice assignments, User organ combination values, transposition values, keyboard local on or off setting, MIDI transmit and receive channel numbers, plus function assignments for [PS1], [PS2], [CS] and [FC] foot controller , the Performance name and others.
In Voice Play mode you can specify settings for a single set of Performance parameters. When the P is in Edit mode, you can access and modify the System and other parameters. A convenient Auto Store feature which you can disengage automatically stores the System settings and other parameters as you change them. Within either Voice Play mode or Performance Play mode, you can store the current set of all settings as a User Performance. There is a fine distinction between Voice Play mode store and Performance Play mode store functions.
In Voice Play mode, you can overwrite the current set of Voice and Performance parameter settings. In Performance Play mode, you can select a specific destination Performance in which to store the current Performance parameter settings.
Therefore, if you select a destination Performance in which to store the current Voice Play mode Performance parameter settings, you are storing it in the Performance Play mode. You will find it most convenient to set up your Performances in Voice Play mode, Auto Store status, since voice selection is so simple, then copy it to one of the 24 Performance memories for instant recall when you need it.
By switching into Non Auto Store status, you can be sure that your Performances are protected, and any changes you make in one will not be applied unless you specifically store, or overwrite, it. In Edit mode, the P will prompt you automatically whether or not to overwrite the current changes. Descriptions of all parameters and details about how to access and manipulate them are provided in the appropriate sections herein.
Also see the Blank Chart on page Although setting up the P for basic play is easy and straightforward, be sure to take heed of the Precautions on page 2 before you begin, then carefully follow the simple steps as outlined below. The P is relatively small for an key instrument, but it is very solidly built and therefore quite heavy. Please do not hesitate to ask someone to help you take it out of the box and carefully place it on an optionally available Yamaha LP-3 keyboard stand or a sturdy table.
If you wish to listen to your P using headphones, connect a pair of stereo headphones to the [PHONES] jack located on the left side of the front panel. Before connecting the P to any external device, be sure that the power switches of all devices are turned off. First, however, you must determine a MIDI system configuration, based on your particular needs or desires. Finally, attach the supplied music stand to the P by carefully inserting it into the groove located along the rear edge of the upper panel.
To do so, follow the steps below. The following screen appears. The song you select will begin playing automatically. Also note that you will not be able to play the P or use any of the Edit mode functions while a Demo song is playing.
Selecting and playing the voices of a new P is simple, since by default the instrument starts up for the first time in Voice Play mode with initialized parameter settings, PIANO 1 voice selected. Also note that the reverb depth or modulation speed may be set at 0 for certain voices, and therefore produce no noticeable effect.
For information about changing reverb depth, see page For information about changing modulation speed, see page From within Single mode you can easily activate Dual mode see page 26 or Split mode see page To exit Voice Play mode, simply enter Performance Play mode.
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